WordType Designs
Driven To Distractions©
The Sound of One Hand Clapping©


A rchive Date
[ 20-06-2004 ]
Category
[ International Relations ]
sub-Categoy
[ U.S ]

      [http://www.chron.com/cs/CDA/ssistory.mpl/editorial/outlook/2636008

      ON LANGUAGE
      Here's a new rendition of lustration
      By WILLIAM SAFIRE
      New York Times

      June 20, 2004, 1:24AM

      SHOULD we enlist Saddam Hussein's former generals in combating the insurgency in Iraq?

      That vexing question is at the heart of an article in The New York Times Magazine regarding the pacification of Sunni insurgents in Fallujah ("The Re-Baathification of Falluja.").

      "Through all this runs the difficult issue of lustration," wrote the political analyst Michael Barone in U.S. News & World Report, helpfully adding a definition to the unfamiliar word, "how and whether to bar from power personnel of an ousted evil regime."

      Tina Rosenberg, in her 1995 book, "The Haunted Land," wrote: "In Czechoslovakia, I found the lustrace (pronounced lus-TRAH-tzay) law, which has become the single most controversial law passed anywhere in the former Soviet bloc, to deal with the past. It bars from top government jobs those who held certain positions under communism or whose names appear in the secret police's register of informants."

      A natural urge in newly freed countries is to wreak vengeance on, or at least deny continued privileges to, the oppressors of the previous regime.

      But The Times noted in 1992 that "Under lustration ... the determination of guilt is collective and the presumption of innocence reversed."

      The word comes from the Latin lustrum, "a purifying sacrifice," which was carried out every five years in imperial Rome.

      As the columnist Barone notes, it will be one of the controversies facing the new government of Iraq: "On the one hand, you don't want to reward tyrants with power; on the other, you'd like to see the trains run on time ... There is no entirely satisfactory way to handle lustration."

      Rendition
      Remember when rendition was a cheerful word meaning "performance," like a version of "Auld Lang Syne" as played by Guy Lombardo? The British novelist Nicholas Monsarrat wrote in 1939: "No account of 20th-century culture would be complete without reference to the impact of the dance-band world ... as well as strange words and phrases like 'rendition.' "

      Long before that, in Elizabethan times, rendition meant "surrender" of a garrison or a prisoner. Lawyers later used it as the noun form for the rendering, or giving out, of a verdict.

      Then along came extraordinary rendition.

      "We started using that term in the late 1970s," recalls the former New York City police commissioner Howard Safir, who was then with the U.S. Marshals Service.

      "It's when we would go overseas and kidnap fugitives and bring them back to the U.S. We called it extraordinary rendition because, although it was legal under U.S. law, it was not always legal under the law of the country in which the fugitive was residing."

      In 1992, Safir defined the term more vividly to a House subcommittee; after extradition attempts fail, extraordinary rendition could range from luring a fugitive to a friendly country or "an outright snatch."

      When the locution traveled from the Justice Department to the CIA, its meaning - at least to outsiders - changed from kidnapping to something even more sinister.

      This year, The Associated Press defined it as "the covert practice of expelling suspects to countries known to use torture to extract information."

      The CIA disputes this, arguing that rendition means the transfer of a suspect to a nation where interrogators speak the captive's dialect and can develop cultural intimacy.

      George Tenet, the departing CIA chief, told the 9/11 commission that "disruptions, renditions and sensitive collection activities no doubt saved lives."

      Safire is a Pulitzer Prize-winning columnist for the New York Times


      World Fact Book (CIA)]


Some pages may require Adobe Acrobat Reader



Copyright and Fair Use Information: The contents of this web site is protected by international copyright laws and may not be reproduced in any form or manner whatsoever, if for the purpose of resale or solicitation of a donation. The essays included here, may be reproduced only if: 1)They are not altered in any way; 2) reproductions must be accompanied by this copyright page ; and 3) it is given freely and without charge.
Fair use: The fair use of copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified in above sections, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is fair use the factors to be considered include : (1) the purpose and character of the use, including whether the use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole, and; (4) the effect of the use upon the potential market value of the copyrighted work.

Home | About Narrative? |Contact
Copyright © 2025. All Rights Reserved
HAG122125 (1998 -2026)